The MacKintosh Man (1973)

THE FILM:
Paul Newman and John Huston had a blast filming The Life and Times of Judge Roy Bean. They had so much fun on that film, that they instantly tried to duplicate it. The result was not only unsatisfying, it also marked the end of Huston and Newman's short partnership. The film was The MacKintosh Man, and it was a middling failure. It failed to ignite the box office on fire, and it has been virtually forgotten. It's not even Huston's most famous spy thriller. 

There really is not much to discuss about the film. It was the last Huston made in his beloved Ireland, just before he left. It boasted Dominique Sanda's first English turn, and a villain portrayed by the terrific James Mason. It also contained a screenplay by Walter Hill, who would go on to do much better things. It was Huston's last film in his self proclaimed dry period (which lasted from Sinful Davey to this film). It was by all counts, a failure.

THE PLOT:
James Reardon is a member of British Intelligence that is called by his boss MacKintosh, to infiltrate a spy organization. To do so, he puts on an Australian accent and robs a postman. He is convicted and sent to jail. There he is approached by a man who offers to help him escape, claiming to be part of an organization. He is helped, but at the same time he is distrusted. Back in London, MacKintosh is trying to tie a prominent London politician into the Soviet(?) scandal. 

However, MacKintosh gets too close and is assassinated. Reardon too is in danger. MacKintosh's secretary and daughter (once again?) flies up to Ireland and together they track Soviet spies, but their own lives are at risk.  Can they make it?

THE CRITICISM: 
This is the film's tagline: "Only MacKintosh can save them now. And MacKintosh is dead!". Wow...when I first heard that tagline I doubled over laughing. Which is precisely one more laugh  than I got from this film. There are so many things wrong without this film, I could make a list....hey I've got enough time! Paul Newman plays a British man playing an Australian, sounding like an American. It is hard to understand what Dominique Sanda is saying, and her line delivery can be awful (ex."No, he was my father".). MacKintosh is in the title, and he is in the film for...five minutes. The plot is deliberately confusing. I had no idea what was going on until I looked it up later. Even then, it made no sense. James Mason's villain is paper thin, and the whole Soviet subplot is just a mess.

However, the whole thing manages to break even.  It is not the worst film Huston made (ahem, I'm looking at you Phobia), but it is far from his best. The whole cast seems incredibly bored, but no one is more bored than Paul Newman. This may very well be the worst performance I have ever seen Newman give. His rendition is so blank and oh so very boring, that at points you want to scream at him to show some of that famous Newman charm. Perhaps he was all charmed out, he made The Sting the same year. Still, he is one of the most dull and lifeless protagonists I've seen in a long time.

However he does not give the worst performance of the film. That honour goes to Dominique Sanda. I loved her in Il Conformista, but her performance her has me doubting my initial affection.  She too manages to be effortlessly wooden, but with a French accent! Harry Andrews, who plays MacKintosh is charming, but he gives no idea why anyone would have a whole plot revolve around him. Perhaps the one saving grace here is James Mason, he is good. My god, how I longed for some kind of charm! His character is poorly written, yet he manages to be...average!

The script is entirely pointless. It makes no sense, and is unnecessarily confusing.  It is fulled with pointless exchanges, and scenes were literally nothing important happens. There is a five minute sequence were Sanda and Newman talk, while they tan. That's it. But perhaps the greatest example of shoddy scripting occurs during the climax.  Ahem, **SPOILER ALERT**. Sanda has been kidnapped, and Newman must save her from Mason's evil claws, because....he has to save her. So he goes onto a boat and knocks a sailor on the head, and demands to be taken to her, and then...he is. No chase sequence or exchange of dialogue, that's..it. Then the sailor takes him to Sanda, and he talks to James Mason for a while, about...nothing. I'm pretty sure they bring up chess at one point. **END SPOILERS**

Correct me if I am wrong, but aren't thrillers supposed to...thrill? If they are, than this is most certainly not a thriller. It may seem as if I am bashing the film relentlessly (I am), but the film is not without it's good points. It has some beautiful cinematography. The chase(?) scene through the foggy Irish lowlands is beautiful, even if it is more landscape than cinematography. The score by Maurice Jarre is also very good. It is cheerful and fun, something that Huston should have payed more attention to during the making of the film.

Speaking of Huston, he directed this? After all it contains no directorial input, it could have shot itself. It is so boring and uninterestingly shot, it seemed like Huston just gave directing and let the story play itself out. Bad move. It's plot isn't very remarkable, but it could have been at least a little bit thrilling. Huston said himself that he hated the film, and it isn't hard to see why. It is a tepid, middling entry in Huston's filmography, and one I hope to never revisit again.

 The MacKintosh Man,
1973,
Starring: Paul Newman, Dominique Sanda and James Mason,
Directed by John Huston,
6/10 (C-)

RANKED:
1. The African Queen
2. The Dead
3. The Man Who Would Be King
4. Moby Dick
5. The Asphalt Jungle
6. The Red Badge Of Courage
7. The Night Of The Iguana
8. Key Largo
9. The Life and Times of Judge Roy Bean
10. The Misfits
11. Beat the Devil
12. Reflections in a Golden Eye
13. Fat City
14. Wise Blood
15. The Treasure of the Sierra Madre
16. The Unforgiven
17. Under The Volcano
18. Heaven Knows, Mr. Allison
19. The List of Adrian Messenger
20. Annie
21. Prizzi's Honor
22. The MacKintosh Man
23. Phobia: A Descent Into Terror  

The Life and Times Of Judge Roy Bean (1972)

THE FILM:
In 1971, John Huston was feeling a little depressed. His last three films had failed both critically and financially, and his next project was a bleary boxing movie. He had met Paul Newman, and always wanted to make a film with him, but had never found the opportunity. A script by John Milius, based on the true story of a western legend, gave him the opportunity. A oddball western was bound to find some financial difficulties, but Newman's star power was enough for the film to get made.

The shoot was very relaxing, and Huston had a great time with Newman. However, on release the film underperformed, as a western wasn't exactly the most popular kind of film at the time of release, and the film faded into semi-obscurity. Today, the film isn't held in high regard, it has a 6.9 on IMDb, and a 72% on Rotten Tomatoes. It isn't hated, but it isn't loved. Which is really too sad, as it is a great film.

THE PLOT:
Roy Bean, a notorious outlaw rides into a small town in west Texas, where the arm of the law does not reach. After he is beaten and robbed, Roy Bean retrieves his gun with the help of Maria Elena, a local who takes a liking to Bean. He then proceeds to shoot everyone, and take control of the town. When a local preacher stops by, Bean decides he is now a Judge, and they bury the dead men. Then Bean sets up a courthouse and hires a couple deputies, where he transforms the dusty town into a fully functioning town.

Bean names the town Langtry, after the object of his dreams, eastern stage actress Lillie Langtry. Then one day, a man named Gass comes by, and asserts that he owns the land Bean is ruling over. Bean proceeds to put him in a cage with a bear and have Gass feed the bear beer. Bean decides to let Gass live, but this action has it's consequences. Gass begins to undermine Bean using the local female populace, and soon Bean finds himself in a tough spot.

THE CRITICISM:
I'll make one thing clear, this is a strange film. It is eccentrically comedic in the first half, and very dramatic in the second. I know little about the real Judge Roy Bean, but I doubt his life was as strange as this film. In the paragraph, I made the plot sound almost like a thriller, which it definitely isn't. So what is it then? I truthfully have no idea. This film should not work, the comedic first half becomes dramatic in the second, and the film's pace is all over the place.

It works though. Huston pulls a fast one on you, using the first half to get you to like the characters, and then making you root for them in the second. It's certainly strange, but the result is a flat out masterpiece. I don't mean masterpiece in the technical sense, the film has flaws. But somehow, I was completely oblivious to them. Perhaps it was the performances. Paul Newman turns in some of his best work ever as Roy Bean. The character sparkles with wit and determination. He makes you like this man so much that when the last twenty minutes come up, you are firmly on his side.

He plays against type, but Newman does it with ease. It's an excellent performance. In supporting roles, Anthony Perkins, in his one scene as a priest is absolutely wonderful. His character is such a contrast to his role in Psycho, that soon that comparison leaves your mind as quickly as it came to it. There is a scene when he is talking to Newman about where to put a woman he wants to live with. Perkins uses the Bible to keep her from hearing what he is saying. I don't know why, but I found it hilarious.

Also good is Victoria Principal. She doesn't match Newman, but she is still quite good. Ned Beatty turns in a good performance, to be fair he doesn't have much to do. John Huston and Stacey Keach both have one scene, and they make they best of it, turning in great comedic performances. Roddy McDowall plays the villain Frank Gass, and does it with ease. Jacqueline Bisset isn't as good as she was in Under the Volcano, but she was still good here.

Finally, as the coveted Lillie Langtrey, Ava Gardener turns in a virtuoso performance. To be fair, she is only in one scene, but the build up she gets is off the charts, and she matches it deftly. You can tell Huston picked Gardener himself, he wrote her debut film The Killers in 1946. As the aging Langtry, she is perfect for the role. And she doesn't disappoint. 

The screenplay by John Milius is excellent, as it somehow manages to balance the eccentric first half with the more dramatic second. The score by Maurice Jarre is a big highlight, especially for me. I've always found that Huston has a lot of scores in his films that, for lack of a better word, are really quite awful. However, here the score is just excellent and the song that was written for the film also fits in well. The sets are beautiful and capture the legend of the west well.

The cinematography is terrific, and the scene where Newman and Principal take a walk at sunset is almost as beautiful as anything in Days of Heaven. I found the films tone to be quite satirical. The film is an unabashed western, and it doesn't mind exploiting all the typical traits of the genre for comedic purposes. There are no gunfights, but there is a set up to one, and it fails hilariously.

The direction by Huston sparkles with wit and humanity. By that I mean that despite all that occurs by the end you feel quite good indeed. I have often criticized him for being too laid back, but here the exact opposite occurs. The direction feels laid back, but in the way of a master cruising towards something he knows he'll achieve. However, that's not to say the film doesn't have flaws.It goes on for a little too long, Newman's obsession with Lillie Langtry is never explained and the character of Gass seems a little too patient.

However if you are willing to overlook these flaws, as I was, you'll be in for a fun ride, straight through to the end.

The Life and Times of Judge Roy Bean,
1972,
Starring: Paul Newman, Victoria Principal and Ava Gardner,
Directed by John Huston,
8.5/10 (A-)

RANKED:
1. The African Queen
2. The Dead
3. The Man Who Would Be King
4. Moby Dick
5. The Asphalt Jungle
6. The Life and Times of Judge Roy Bean
7. The Misfits
8. Beat the Devil
9. Fat City
10. Wise Blood
11. The Treasure of the Sierra Madre
12. The Unforgiven
13. Under The Volcano
14. Heaven Knows, Mr. Allison
15. Prizzi's Honor
16. Phobia: A Descent Into Terror